{"id":27475,"date":"2013-02-20T23:18:03","date_gmt":"2013-02-21T04:18:03","guid":{"rendered":"http:\/\/hardrockhaven.net\/online\/?p=27475"},"modified":"2014-01-24T09:06:27","modified_gmt":"2014-01-24T14:06:27","slug":"victor-lafuente-inside-cd-review","status":"publish","type":"post","link":"https:\/\/hardrockhaven.net\/online\/2013\/victor-lafuente-inside-cd-review\/","title":{"rendered":"Victor Lafuente | <em>Inside<\/em>"},"content":{"rendered":"<blockquote><p><span style=\"text-decoration: underline;\">by Alissa Ordabai<\/span><br \/>\n&#8211; Senior Columnist &#8212;<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/hardrockhaven.net\/online\/wp-content\/uploads\/2013\/02\/LafuenteArtwork-200x198.png\" alt=\"Lafuente - Inside\" width=\"200\" height=\"198\" class=\"alignright size-medium wp-image-27477\" srcset=\"https:\/\/hardrockhaven.net\/online\/wp-content\/uploads\/2013\/02\/LafuenteArtwork-200x198.png 200w, https:\/\/hardrockhaven.net\/online\/wp-content\/uploads\/2013\/02\/LafuenteArtwork-100x100.png 100w, https:\/\/hardrockhaven.net\/online\/wp-content\/uploads\/2013\/02\/LafuenteArtwork.png 350w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>This may be instrumental guitar music, but it grabs and transports you swifter than most top bands with a hot singer.  Not your stereotypical six-string noodler who\u2019d exhaust you before he makes his point, Lafuente focuses on describing the world around him, not himself.  <\/p>\n<p>The Frenchman\u2019s influences turn out as varied as a bowl of bouillabaisse:  there is rock, metal, jazz fusion, funk, flamenco, and even world music.  But the tracks flow so naturally and sink in so easily, you never consciously clock the genres.  Lafuente superfast chops do come in once or twice, but otherwise he uses his A-grade technique to fulfil the compositional plan and to relay true \u2013 not imagined \u2013 feeling.  Which, in the case of Lafuente&#8217;s compositions, rarely calls for neck-break speed and proves that having things to say leaves no place for bragging.    <\/p>\n<p>And finally, Lafuente has a fantastic knack for seizing your attention from the word go.  The pumping riff on opener \u201cInstable Perception\u201d would have been enough to sustain an average song by an average player, but \u201caverage\u201d doesn\u2019t apply to Lafuente.  When he slips in wordless vocal interludes amidst the funky stop \/ start groove, this becomes a high-stakes game.  Unexpected and challenging, those languorous breathers make you abandon routine perceptions and prepare you for a very singular album about to unfold. <\/p>\n<p>But that\u2019s another thing about Lafuente \u2013 even the most complex compositional constructions come through almost as easy-listening with him.  He always stays accessible, although never populist.  And unlike many melody-oriented players, he never leads you into a sugar shock.  Sweetness of his melodies is contrasted by harmonic sophistication, which \u2013 in turn \u2013 never feels like an overbearing complexity.  Instead he finds imaginative \u2013 and hugely entertaining \u2013 ways to make sure you never feel overwhelmed or bored.    <\/p>\n<p>Still, the farther you get with this album, the more it surprises you.  Standout \u201cThe Kraken\u201d shows an orphic side to Lafuente with Middle Eastern intonations breaking out next to industrial metal and jazz.  And then you get hit by the revelatory gem of the record titled \u201cAznarepse\u201d \u2013 an intensely personal piece where Lafuente arrives at everlasting truths through exploring the intimate.  Nostalgic for the time when the guitar still had its umbilical cord intact connecting it both to Spain and to classical music, \u201cAznarepse\u201d also rings hopeful \u2013 a reflection on the journey the instrument has made from stuffy parlour to the biggest concert stages on the planet. <\/p>\n<p>To sum up, this is definitely one of the most interesting and warming records you\u2019ll hear this year.  Lafuente\u2019s fusion at times gets close to those stellar Kotzen \/ Howe albums which blew our minds in mid-\u201990s.  His melodies are sweetness reincarnate, and his courage to get to the bottom of some very profound matters (without uttering a single spoken word) instantly gives him the rep a true stand-up guy \u2013 no hankering after shred cred, no noodling, no chasing an audience \u2013 be it highbrow or high school.  He is just describing the world in his own voice full of colour, heart, and insight.  <\/p>\n<p>Genre:  Instrumental Guitar, Rock, Fusion<\/p>\n<p>Mixed and Mastered by S\u00e9bastien Bizeul at studioD\u00b2<br \/>\nArtwork by Bastien Diaz, David Jugnier &#038; Victor Lafuente<br \/>\nProduced by Victor Lafuente and Ear-volution Records <\/p>\n<p>Track List:<br \/>\n1. Instable Perception<br \/>\n2. Room 88<br \/>\n3. The Kraken<br \/>\n4. Mountain View<br \/>\n5. Simplexcity<br \/>\n6. Inside<br \/>\n7. Crop Circle<br \/>\n8. T.O<br \/>\n9. Just a Song<br \/>\n10. Aznarepse<br \/>\n11. Temple of Time<\/p>\n<p>Label:  Ear-volution Records<\/p>\n<p>Online:  <a href=\"http:\/\/www.lafuente.fr\" target=\"_blank\">www.lafuente.fr<\/a><\/p>\n<p>Hardrock Haven rating:  10\/10<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\">by Alissa Ordabai &#8211; Senior Columnist &#8212; This may be instrumental guitar music, but it grabs and transports you swifter than most top bands with a hot singer. Not your stereotypical six-string noodler who\u2019d exhaust <a class=\"mh-excerpt-more\" href=\"https:\/\/hardrockhaven.net\/online\/2013\/victor-lafuente-inside-cd-review\/\" title=\"Victor Lafuente | Inside\">[&#8230;]<\/a><\/div>\n","protected":false},"author":10,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8704],"tags":[336,7091,1077,2385,334,2387],"class_list":{"0":"post-27475","1":"post","2":"type-post","3":"status-publish","4":"format-standard","6":"category-arcrvws2013","7":"tag-cd","8":"tag-fusion","9":"tag-guitar","10":"tag-instrumental","11":"tag-review","12":"tag-rock"},"_links":{"self":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts\/27475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/comments?post=27475"}],"version-history":[{"count":0,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts\/27475\/revisions"}],"wp:attachment":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/media?parent=27475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/categories?post=27475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/tags?post=27475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}