{"id":32058,"date":"2013-10-01T06:26:39","date_gmt":"2013-10-01T11:26:39","guid":{"rendered":"http:\/\/hardrockhaven.net\/online\/?p=32058"},"modified":"2014-02-08T08:38:26","modified_gmt":"2014-02-08T13:38:26","slug":"joanne-shaw-taylor-almost-always-never-cd-review","status":"publish","type":"post","link":"https:\/\/hardrockhaven.net\/online\/2013\/joanne-shaw-taylor-almost-always-never-cd-review\/","title":{"rendered":"Joanne Shaw Taylor | <em>Almost Always Never<\/em>"},"content":{"rendered":"<blockquote><p><span style=\"text-decoration: underline;\">by Alissa Ordabai<\/span><br \/>\n&#8211; Senior Columnist &#8212;<\/p><\/blockquote>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/hardrockhaven.net\/online\/wp-content\/uploads\/2013\/10\/Joanne-Shaw-Taylor-Almost-Always-Never-200x200.jpg\" alt=\"Joanne Shaw Taylor  Almost Always Never\" width=\"200\" height=\"200\" class=\"alignright size-medium wp-image-32059\" srcset=\"https:\/\/hardrockhaven.net\/online\/wp-content\/uploads\/2013\/10\/Joanne-Shaw-Taylor-Almost-Always-Never.jpg 200w, https:\/\/hardrockhaven.net\/online\/wp-content\/uploads\/2013\/10\/Joanne-Shaw-Taylor-Almost-Always-Never-100x100.jpg 100w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Having made a name for herself and won accolades in the blues and classic rock circles, Joanne Shaw Taylor now seeks to expand her identity with a stunning third album.  Part of it is growing up, part \u2013 the innate draw of any true artist toward self-discovery. The record in hand may not run in the same surefire way as its brilliant blues-centered predecessors <em>Diamonds and in the Dirt<\/em> and <em>White Sugar<\/em>. But what remains are A-grade guitar chops, the rich, soulful voice breaking out straight from the heart, and songwriting that instantly pulls you in.  <\/p>\n<p>Standout \u201cJealousy\u201d is an aching confessional delivered in vivid dark hues with an epic guitar solo moving a magnifying glass over a broken heart  \u2013 another proof that great chops serve a purpose only when conveying an inner truth. But the biggest gem of the release is the title track \u2013 a slow-mo trip through an accurately painted inner landscape where the self is at its most bare, and for that very reason &#8212; utterly mysterious.  <\/p>\n<p>Still, with all the inner depth Taylor taps into here, each track remains completely accessible.  The effortless gait of her songwriting stays so fluid that even the most thorough journeys come through transparent and immediate. At times Shaw aims at a more universally appealing sound than her previous albums, but in stepping away from the blues patterns she gains self-knowledge &#8212; a prize of a higher order than unconditional approval bestowed by the tradition. <\/p>\n<p>Taylor\u2019s songwriting begins to stand out sharper too \u2013 laconic and purposeful, in organic unity with her feel for her instrument. The guitar though remains her main nerve, her lifeblood artery, and also her device of flight that takes her beyond the physicality of technique. From gritty, earthbound blues on \u201cSoul Station\u201d to layered, delicately tuneful \u201cBeautifully Broken\u201d Taylor remains an exceptional player who can unite stellar musicianship with deeply personal \u2013 and therefore eternal \u2013 narratives.  <\/p>\n<p>Genre: Blues, Rock, Classic Rock<\/p>\n<p>Track Listing:<br \/>\n1. Soul Station<br \/>\n2. Beautifully Broken<br \/>\n3. You Should Stay, I Should Go<br \/>\n4. Piece of the Sky<br \/>\n5. Army of One<br \/>\n6. Jealousy<br \/>\n7. Almost Always Never<br \/>\n8. Tied and Bound<br \/>\n9. A Hand in Love<br \/>\n10. Standing to Fall<br \/>\n11. Maybe Tomorrow<br \/>\n12. Lose Myself to Loving You<\/p>\n<p>Label: RUF RECORDS<\/p>\n<p>Online: <a href=\"http:\/\/joanneshawtaylor.com\" target=\"_blank\">joanneshawtaylor.com<\/a><\/p>\n<p>Hardrock Haven rating:  10\/10<\/p>\n","protected":false},"excerpt":{"rendered":"<div class=\"mh-excerpt\">by Alissa Ordabai &#8211; Senior Columnist &#8212; Having made a name for herself and won accolades in the blues and classic rock circles, Joanne Shaw Taylor now seeks to expand her identity with a stunning <a class=\"mh-excerpt-more\" href=\"https:\/\/hardrockhaven.net\/online\/2013\/joanne-shaw-taylor-almost-always-never-cd-review\/\" title=\"Joanne Shaw Taylor | Almost Always Never\">[&#8230;]<\/a><\/div>\n","protected":false},"author":10,"featured_media":32059,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8704],"tags":[2317,1104,8110,2387,8112],"class_list":{"0":"post-32058","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arcrvws2013","8":"tag-cd-review","9":"tag-classic-rock","10":"tag-joanne-shaw-taylor","11":"tag-rock","12":"tag-ruf-records"},"_links":{"self":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts\/32058","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/comments?post=32058"}],"version-history":[{"count":0,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts\/32058\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/media\/32059"}],"wp:attachment":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/media?parent=32058"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/categories?post=32058"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/tags?post=32058"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}