{"id":54372,"date":"2017-03-18T09:03:09","date_gmt":"2017-03-18T14:03:09","guid":{"rendered":"http:\/\/hardrockhaven.net\/online\/?p=54372"},"modified":"2017-03-18T09:03:09","modified_gmt":"2017-03-18T14:03:09","slug":"letters-from-the-fire-worth-the-pain-music-reviews","status":"publish","type":"post","link":"https:\/\/hardrockhaven.net\/online\/2017\/letters-from-the-fire-worth-the-pain-music-reviews\/","title":{"rendered":"Letters From The Fire | Worth The Pain"},"content":{"rendered":"

by Joe Mis<\/span>
\n— Senior Columnist —<\/p><\/blockquote>\n

\"\"The California-based quintet Letters From The Fire have dug into their own experiences and lives to create their latest release entitled Worth the Pain<\/em>.<\/p>\n

Founded by guitarist Mike Kellar, Letters From The Fire has been around for a while. Originally called Park Lane, the band released a full-length album, then went through some changes and rebranded itself Letters From The Fire. The lineup has crystallized and seems to be hitting their full stride. Now fronting the band is singer Alexa Kabazie, who brings a good deal of power and expressiveness to the lyrics (in a FlyLeaf meets Halestorm way) without going over the top.<\/p>\n

Mike Keller is joined by fellow guitarist Cameron Stucky, and the two make a formidable pair. They dish out solid and catchy riffs and know how to solo \u2013 proving that the lead break isn\u2019t a lost art. Clayton Wages (bass) and Brian Sumwalt (drums) provide a sturdy backbone, hammering hard when needed and adding layers of complexity to the melodies. The band manages to combine heavy riffs with delicate melody \u2013 making their music unique.<\/p>\n

\u201cPerfect Life\u201d kicks of with a bit of dissonant electronica before turning into a pounding, heavy tune that varies in tempo and tone while giving Kabazie a chance to hit all the edges of her range. \u201cMother Misery\u201d is a moody Gothic-tinged rocker with some fine bass work and multi-layered vocals \u2013 it sounds like it should be a simple tune but is actually quite complex. \u201cGive In To Me\u201d is an aggressive mix of brutal guitars and slick electronics, blending elements from almost metal genre into one massive rolling rhythm line. Kabazie’s vocals on ballad \u201cBruised\u201d are truly spectacular \u2013 she proves that she can flat out sing, while the rest of the band steps back and lets her voice shine. \u201cLive A Lie\u201d is a slick, grinding alt-rocker with somewhat muffled vocals atop a punchy guitar line (with a sweet lead break) and explosive drums.<\/p>\n

\u201cMy Angel\u201d is a drum driven pop-rocker which could be performed by anyone from Halestorm to Katy Perry to Taylor Swift with only a few simple arrangement changes. \u201cLast December\u201d is pure melodic metal in the Amaranthe vein, mixing electronics and metal while building around vocals and rhythms, and \u201cHoly Ghost\u201d opens with some riffs and a deep gurgling bass line that seem to channel Nine Inch Nails. The simple keys, powerful lyrics, and basic melodies of \u201cAt War\u201d make it a standout track as it drifts from soft to cinematic. The contrast with the dark and murky \u201cControl\u201d is startling, once again demonstrating that LFTF is not a one-trick pony \u2013 they can do it all, and do it all well. The title track is true in-your-face modern metal with and incurably catchy groove and intensely manic bass and drums, while \u201cScars\u201d takes it down a notch and builds on vocals and bass. The release wraps with the spooky Gothic metal \u201cOne Foot In The Grave\u201d, although somehow Kabazie’s vocals are delivered with a Pop-Metal punch.<\/p>\n

For Letters From The Fire, Worth The Pain<\/em> is a truism. Their latest musical journey is solid from start to finish. Smart songwriting, excellent performances, and steady engineering make this release a pleasure to hear. The mix of traditional metal, Gothic, and alternative styles keeps the band from being pigeonholed into a particular category, and they handle all the tones and tempos well. The listener can tell that everyone involved kicked it up to eleven and never looked back. There are no negatives here \u2013 each track is unique and polished, and delivered with passion. It is also tough to say if there is one standout performer \u2013 Kabazie’s intense delivery is no more important than the soaring Kellar\/Stucky six-string work or the tight and driving bottom end provided by Wages and Sumwalt. There are few bands performing today that is as complete and integrated as these guys.<\/p>\n

Worth The Pain<\/em> is a musical voyage that deserves a spot on most musical top-ten lists despite the fact that it is early in the year. Thirteen tracks and not one a stinker… Letters From The File can be proud of this gem! Highly recommended all around!<\/p>\n

Genre: Modern Melodic Metal, Alternative Metal<\/p>\n

Band:
\nAlexa Kabazie (vocals)
\nMike Keller (guitar)
\nCameron Stucky (guitar)
\nClayton Wages (bass)
\nBrian Sumwalt (drums)\t<\/p>\n

Track Listing:
\n1.\tPerfect Life
\n2.\tMother Misery
\n3.\tGive in to Me
\n4.\tBruised
\n5.\tLive a Lie
\n6.\tMy Angel
\n7.\tLast December
\n8.\tHoly Ghost
\n9.\tAt War
\n10.\tControl
\n11.\tWorth The Pain (Explicit)
\n12.\tScars
\n13.\tOne Foot in the Grave<\/p>\n

Label: Sand Hill Records<\/p>\n

Website: http:\/\/www.lettersfromthefire.net\/<\/a><\/p>\n

Hardrock Haven rating: [usr 9 size=20]<\/p>\n","protected":false},"excerpt":{"rendered":"

by Joe Mis — Senior Columnist — The California-based quintet Letters From The Fire have dug into their own experiences and lives to create their latest release entitled Worth the Pain. Founded by guitarist Mike […]<\/a><\/div>\n","protected":false},"author":10,"featured_media":54377,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15128],"tags":[8600,13239,6774,12354,13241,13240],"class_list":{"0":"post-54372","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-arcrvws2017","8":"tag-alternative-metal","9":"tag-letters-from-the-fire","10":"tag-modern-melodic-metal","11":"tag-music-review","12":"tag-sand-hill-records","13":"tag-worth-the-pain"},"_links":{"self":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts\/54372","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/users\/10"}],"replies":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/comments?post=54372"}],"version-history":[{"count":0,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/posts\/54372\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/media\/54377"}],"wp:attachment":[{"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/media?parent=54372"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/categories?post=54372"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hardrockhaven.net\/online\/wp-json\/wp\/v2\/tags?post=54372"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}